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ArtMarket® Insight, tutte le news del mercato dell'arte

L'ultimo rapporto Artprice

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1002 16 01 01 168x140

Speculative bubble forming on market for comic art [15/10/2002]

A speculative bubble appears to be forming on the market for original plates of comic art. True, none of the comics sold so far this year have beaten the record price fetched by plate no. 12 of Marsupilami’s nest by André Franquin, but prices are still rising. Up 62% on the end of 2001, the market has never been so bullish.

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Prices still rising at the start of a new season [10/10/2002]

Despite a slowing economy in July and August, the threat of another war and uncertainty over the steady decline in the world stock markets, prices are still rising on the art market: on average, EUR100 invested in a work of art in July 2000 had appreciated to EUR118.7 as of September 1, 2002.

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Modern photography in the spotlight 22-23 October [09/10/2002]

On 22-23 October, Sotheby’s New York will be auctioning a selection of photographs from the Museum of Modern Art (MoMA) in New York. Following on from the success of its last auction of photographs in April 2001, which generated sales of USD2.15m, Sotheby’s is hoping to raise over USD2m from the 212 lots.

1002 07 01 01 168x140

Paul Gauguin : 110 years of auctions [06/10/2002]

As the centenary of Paul Gauguin’s death approaches museums are rushing to hold prestigious retrospectives on one of the most influential painters of his time. The NY Metropolitan’s “Gauguin in New York Collections: The Lure of the Exotic” closes on 28 October 2002, but an exposition opens the following April at the Musée du Luxembourg and runs to June. For the auction houses, this is an opportunity to put up some extra Gauguin pieces.

1002 02 01 01 4 168x131

Contemporary art makes the running in 2002: auction trends [01/10/2002]

After a pause in 2001, contemporary art prices have taken off again. And yet, prices for the big-hitters have not experienced a spectacular explosion. During the first auction season 2002, prices for major league works were down on last year,

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Max Beckmann: a German in Paris [29/09/2002]

Paris’s Musée National d’Art Moderne currently has a retrospective show on Max BECKMANN, a German expressionist and lover of Paris. At auction houses, he is more renowned as the holder of the record price for a German painting.

0713 02 01 01 18

Contemporary art market: collectors favour local artists at auctions [24/09/2002]

The art market is undeniably international. Works are being created and traded world-wide. And increasingly prices are tempting producers and purchasers alike to cross borders.

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European market: Artprice reviews the first half-year 2002 [16/09/2002]

In 2001 the US outperformed Europe on the art market. Today, that balance of power has been reversed. European auction sales held up despite the uncertain economic climate in the first half of 2002.

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Can Giacometti take off in 2002? [11/09/2002]

Christie’s is to auction 35 bronze sculptures in France from the inheritance of Alberto GIACOMETTI on 28 September 2002. The sale should be very successful, as Giacometti’s price levels have risen 78% in the last six months.

0713 02 01 01 18

Sotheby’s or Christie’s? [09/09/2002]

As in 2001, Christie’s and Sotheby’s produced similar performances on sales in H1 2002 (EUR 546 million and EUR 522 million respectively between January and July), with similar buy-in ratios (71% of lots at each auction house found a buyer).

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MATISSE-PICASSO : rivals at auctions [07/09/2002]

After London it is now Paris’s turn to host the showdown between the giants of modern art as the Matisse-Picasso exhibition arrives in the French capital, juxtaposing 160 works by Pablo PICASSO and Henri MATISSE. But they often come up against each other at auction.

0713 02 01 01 18

The rising stars at auction [01/09/2002]

Perhaps the best-known of the new generation of artists now selling at public auction are the Young British Artists — »young » in our classification means born after 1960. Having achieved international acclaim, they are now increasingly making an impact on the auction floor.

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US and UK neck and neck in the auctions market [27/08/2002]

The US has led the art market for more than 20 years. In the mid-1990s, at the peak of American dominance, it hosted nearly 70% of the world’s fine art sales. Today, this has fallen to 38.7% and the US is on the point of being overtaken by the UK.

0713 02 01 01 18

Artists on the rise in Australia [21/08/2002]

The art market is traditionally quiet in August. But Australia, the world’s ninth largest market in 2001, has taken advantage of the summer break to hold the first big sales of the coming season. Sale catalogues feature a number of the Aussie artists that have recently been making waves at auctions.

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The Pop Art as its Pop Star [19/08/2002]

Barely half a century after they were created, the works of Andy WARHOL, Roy LICHTENSTEIN, Jasper JOHNS and Robert RAUSCHENBERG are already seen as collectors’ masterpieces.

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In the US anything goes, at any price [18/08/2002]

In the last two years, the art market has been attracting ever more aficionados in the US. But American collectors are happier to buy than to sell, and the consequence is a host of buyers eager to snap up the few artworks that do come up for auction.

0713 02 01 01 18

Photography takes the test of time: +8.1% in six months [06/08/2002]

In the mid-1990s, painting was the only segment of the art market that investors considered of speculative interest. But recently, with growing demand and a wave of artistic renewal, other creative formats have proved as, or more, lucrative than paintings.

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The European market strengthens its leadership in first half 2002 [04/08/2002]

The European art market is winning its face-off with the US. France, the UK, Germany, Italy, Spain and Scandinavia currently account for almost 80% of sales volumes.

0713 02 01 01 18

Monthly Benchmark [21/07/2002]

High-profile auctions at Sotheby’s and Christie’s in the US usually make May the eagerly awaited highlight of the early year art season. And results at the impressionist and modern sales certainly hit the headlines. No one will forget the all-time record price paid for a sculpture, Brancusi’s « Danaide », which went for USD16.5m on 7 May 2002.

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No speculative bubble in the art market [19/07/2002]

The price of artworks continues to climb. Some see this as the result of a speculative mood among investors. In fact it is no such thing. Investors are being highly selective in what they buy and this selectivity underpins the soundness of the market.

0713 02 01 01 18

As the world’s stock markets plunge Rubens’ "Massacre of the Innocents" drives the art market through the roof [15/07/2002]

On Wednesday 10 July 2002, "The Massacre of the Innocents" by Peter Paul RUBENS became the most expensive old master painting ever sold at auction. It was only recently identified as a Rubens having previously been attributed to the lesser-known Jan van den Hoecke. Once the painting’s authorship was clarified a record price was clearly on the cards, particularly as Peter Paul RUBENS’ index has been in stunning form lately: +540% since 1997.

0713 02 01 01 18

Nine contemporary artists make their mark in London [14/07/2002]

In the art market history is made every day. Any auction could see an artist’s work sell for a new all-time high. This year, in three days from 26 to 28 June, we saw no less than 71 record prices set for artists around the world. Nine of these were at the sales of contemporary art held by Sotheby’s and Christie’s in London.

0713 02 01 01 18

For budgets of less than EUR1,000, prints bring greater gains than paintings! [08/07/2002]

Over the past six years, prints and multiples have yielded a greater annual return than works on canvas -8% vs. 6.82%. This, however, is only an average and returns vary hugely from one type of product to another.

0702 04 01 01 4

Old master drawings catch fire: the Northern school example. [03/07/2002]

Drawing was formerly considered a secondary skill, of use mainly in preliminary studies for painting, sculpture or architecture. But enthusiasts were not long in seeing that such early sketches had their own expressive qualities and their own financial value. Among the main beneficiaries of recent price rises have been drawings by the Northern schools: up 67% since June 2001.

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Impressionism? Anglo-Saxon hammer prices on the wane. [01/07/2002]

Recent sales at the London auctions of 24 and 25 June confirm the resurgence of French impressionism which had been rather overshadowed in 2001. The healthy demand for the school was underscored when Claude MONET‘s Nymphs fetched GBP12,250,000 at Sotheby’s. At the same time, the popularity of British and US impressionists, who made such a splash in 2000, seemed to have waned.

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Annual average yield on paintings since May 1996: 6.82% [30/06/2002]

Many economists, such as W. Beaumol, have questioned whether works of art yield better returns than financial assets, even at the height of the late-eighties speculative boom. Over the periods studied, returns were lower than those available on equities markets. But with share prices apparently locked in a downward spiral, the conclusions today are somewhat different.

0713 02 01 01 18

The art market through the seasons: London at the fore of the art market in June [16/06/2002]

Prestigious auctions are increasingly concentrated in the same places and during specific seasons. By holding high-profile events at the same time and in the same place when the art season is at its peak auction houses can achieve economies of scale. They seek to galvanise the media with press conferences and other events so as to attract collectors to a sale of some exceptional particularly sought-after pieces.

0713 02 01 01 18

Putting a price-tag on works of art [16/06/2002]

If you think art prices are prohibitive, think again! Half of all artworks are auctioned at below EUR 1,000. Top hammer prices and other exceptional works auctioned over EUR 100,000 account for only 1.5% of auctioned lots! 15% of works sold are multiples or lithographs and rarely sell for more than EUR 1,500.

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CoBrA on the crest of a wave [15/06/2002]

The price of paintings by artists belonging to the Cobra movement has risen by 50% in the last six months in what clearly amounts to a significant revaluation of their work.

0602 14 01 01 4

Winds of change in the world of French art auctions [14/06/2002]

French auctions have always been concentrated in Paris and dominated by the auctioneers of Drouot, who between them knocked down around 50% works of art sold at auction. The Tajan auction house had the highest turnover in the art auction market.

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