Masatoyo Kishi’s Opus No. 66-H-3 (1966) reflects his mastery of abstraction and his engagement with organic and atmospheric textures. Kishi, a Japanese-American artist associated with the postwar modernist movement, often created works that explored harmony between nature and abstraction. This particular piece exemplifies his focus on materiality, layering, and the interplay of light and shadow.

The painting's dynamic surface is marked by bold contrasts, with deep, earthy tones of orange, red and black creating a textural depth reminiscent of weathered landscapes or corroded metal. These patterns evoke both the passage of time and a meditative stillness, inviting viewers to interpret the visual language of decay and renewal. Kishi’s approach often involved meticulous craftsmanship, with careful attention to composition and balance, revealing his grounding in both Eastern aesthetics and Western abstraction.