L'attualità del mercato dell'arte di Alighiero BOETTI (1940-1994)

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The auction market adopts textile works [04/07/2023]

Weaving, embroidery and knitting are gradually emerging from artistic prejudice. Over the years, with the recurring presence of textile works in museum exhibitions, biennials and international art fairs, collectors have come to terms with this practice once considered too “traditional”, too artisanal, or too linked to the domestic sphere (especially in Western culture) to be […]

Phillips: eclectic taste [21/02/2017]

As the major auction firms get ready for their early-March sales of 20th Century & Contemporary Art in London, Phillips has published a particularly dense and diverse catalogue for its sale on 10 March 2017. The 180 works in the Phillips catalogue suggest a three-hour session (at least) and include lots of major signatures like […]

Alighiero Boetti [23/12/2014]

Although Alighiero Boetti (born 16 December 1940 in Turin, Italy, and died 24 April 1994 in Rome) called himself a painter, he worked with a broad range of media and collected all kinds of materials and images.

The best of Arte Povera [07/06/2013]

Friday is Top day! Every other Friday, Artprice publishes a theme-based auction ranking. This week: the top ten auction results for Arte Povera.

Hong Kong … [05/06/2012]

With the spring auctions at Christie’s and Sotheby’s and the HK Art Fair, May has become one of the most active months of the years for the Hong Kong art market.

Top 10: Women Power! [18/02/2011]

Every fortnight Artprice posts a theme-based auction ranking. This week, the focus is on women artists. The ten best auction results in 2010 for works by Contemporary female artists.

The FIAC opens on Thursday 21 October 2010 [11/10/2010]

According to Thierry Ehrmann, founder and CEO of Artprice, against a backdrop of economic crisis and uncertainty, the forthcoming 37th edition of the FIAC (21-24 October 2010) will re-affirm the Parisian fair’s stature as the veritable reference in European Contemporary art, particularly now that the Frieze Art Fair seems to be losing momentum.

Post-war drawings [01/10/2010]

Every fortnight Artprice provides you with a new or updated ranking in its Alternate-Friday Top Series. The theme of today’s TOP article is the Top10 auction results generated by Post-war drawings.

Contemporary Art in convalescence [06/07/2009]

While London’s auctioneers congratulate themselves on the healthy sold rates at their June Contemporary Art sales (92.5% at Sotheby’s, 88% at Christie’s and 75% at Phillips de Pury & Company), bidders are continuing on a path of caution and sobriety.

International contemporary art driven by Phillips, De Pury & Luxembourg [23/11/2003]

The contemporary art market has been doing fairly well of late, and the last big auctions of the year have reaffirmed the trend. The wealthiest US investors are continuing to support new art. Record after record has been falling in New York, and not only for American artists.

Bumper year for Italian contemporary art market [18/09/2003]

The market for contemporary art may be shrinking everywhere else, but in Italy both value and volume sales are booming. In the first half of 2003, Italy accounted for 5% of the market by value and 19.6% by volume, with 1,085 lots generating sales worth EUR 2.2 million.

How does the French contemporary art market measure up today? [30/06/2003]

Since it reformed its auctioneers, France has increased its share of the auction market from 7% of worldwide turnover in 2001, to 8.6% in 2002. Yet growth in the wider sector has done little for the contemporary art market. France only generated 4.5% of the proceeds from contemporary artworks in 2002.

Contemporary art auctions in New York reassure the market with 34 records in three days [24/11/2002]

In a tense economic climate, contemporary art auctions in New York are proving stronger than modern art and impressionist art sales. The evening auctions may have been unexceptional. But Sotheby’s and Christie’s still managed some reassuring surprises, generally in the less prestigious later sessions, when prices for some artists showed real growth and some of them turned out to be impressive records.

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